A/W + S/S 08 Inspirating Muse to Dream Wardrobe

George
你應該支持Laduree!!!  怎麼可以只顧Piere  Herme遺忘Laduree呢!!!  哈哈  開玩笑啦

當然會有成就感的時候  但是PR是無時無刻做著跟“人“接觸的工作，也是有很多狀況是無法掌握那壓力就不小。我也遇過跟Armani  pr類似的狀況，但漸漸習以為常了。我覺得有時候品牌會揌選媒體，以長期真正喜愛跟支持的媒體優先，畢竟每場秀分配到的位子有限，只能盡力滿足，但當我明明只分配到90個座票25張站票，不過我卻收到將近200張秀票requests時你覺得我們要怎麼辦  :(  也只能說抱歉。對Armani跟Cathy的故事就...沒意見  哈哈

我也很喜歡Suzie的review,    Herald  Tribune蠻多地方賣的壓  news  agent都有不是嗎  我們超愛weekend  newspaper  supplements.  尤其是How  to  Spend  It  magazine!  那些Sun,  Mirror,  Daily  Express真是太恐怖了。

Dries  Van  Noten  -->

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Akris

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上一篇旁邊的圖片是Akris

補一張Dries  Van  Noten-->

Hussein  Chalayan

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"Generally,  I`m  interested  in  how  we  are  as  human  beings,"  he  said  after  the  show.  "I  think  of  my  work  as  a  kind  of  life  science."  Chalayan`s  concept  was  an  abstract  story  about  the  evolution  of  humanity,  which  was  accompanied  by  an  a  cappella  group  who  struck  up  an  extraordinary  vocal  timpani  simulating  prelife  space  sounds,  jungle  noises,  and  folkloric  and  religious  chants.
(style.com)

Christian  Lacroix

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Karl  Lagerfeld

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Chanelxxx96

我懂妳"沒意見"的意思,哈哈  這行可真辛苦阿~~
別忘我住在鄉下,這裡的news  agent並沒有Herald  Tribune..
Laudree永遠都人山人海,懶得排隊,反正倫敦也吃的到!!

PaoPao

Agyness  Deyn是個很聰明的model,懂得找出自己與眾不同的地方.  她的off-runway造型也是很值得欣賞:)

Agyness  Deyn本人真的很搶眼,  遠遠從他的背影就感覺到supermodel的氣質,  他的穿著也真的很有自己的風格

我明天回澳洲一趟,  easter才回來,  不知道喬治什麼時候會離開london?

pamplemousse

最快會在四月初離開吧,看找工作的情況囉:)
現在澳洲應該是很溫暖的吧,太羨慕..

Stella  McCartney

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Giambattista  Valli  -->

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Celine

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Valentino

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As  the  cliché  goes,  Alessandra  Facchinetti  has  big  shoes  to  fill  at  Valentino.  Today  she  slipped  into  them  with  the  tact  and  sensitivity  of  a  young  Italian  who  appreciates  the  storied  heritage  of  the  house,  but  is  quietly  resolved  to  say  something  to  a  new  generation.  "I  think  the  things  Valentino  created  were  timeless,"  she  said.  "I  wanted  to  take  something  from  the  cleanliness  of  the  sixties  structure,  but  at  the  same  time  make  things  soft  and  light.  But  there  is  nothing  too  obvious."
(style.com)

Sophia  Kokosalaki

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Yves  Saint  Laurent

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Stefano  Pilati  hammered  out  his  best  Saint  Laurent  collection  since  he  became  creative  director.  This  is  the  first  group  of  clothes  that  has  captured  the  energy  of  the  Rive  Gauche  era  and  at  the  same  time  feels  contemporary.  You  are  no  longer  looking  at  any  trace  of  the  old  Saint  Laurent,  except  perhaps  a  jewel  color,  and  yet  it  is  Saint  Laurent.  Pilati  carries  forward  the  simplified  lines  of  the  spring  collection  and  now  adds  more  sex  appeal,  more  flare  to  the  geometry.  The  collection  has  a  lot  of  versaility,  but  your  eye  goes  immediately  to  the  straight  shoulders  of  unlined,  cutaway  coats  in  Donegal  tweeds  and  then  to  the  succinct  volumes  at  the  hem.  Sharpness  at  the  top,  movement  and  freedom  at  the  bottom,  an  effect  repeated  in  wool  felt  coats  and  skirts.
(NYT)

Chanel

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Alexander  McQueen

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McQueen  gets  my  heart.  There’s  the  incredible  tailoring  and  finesse  displayed  in  the  coats,  especially  a  black  boucle  coat  with  black  lace  insets  in  the  full  skirt  (it  appeared  over  a  crinoline  but  would  easily  look  great  alone)  and  those  long  jackets  in  mohair  and  wool  tartan.  The  plain  Empire  dresses  in  white  silk  tulle  were  beautiful.  Also,  if  you  don’t  know  anything  about  his  inspiration  (does  it  matter?),  there  is  a  gloriousness  in  the  English  regalia  and  history.  I  find  it  fascinating  that  he  could  impart  that  sense—heroic,  violent,  grand—without  sending  out  purely  historical  clothes.  It’s  hard  not  to  think  that  Daphne  Guinness  was  in  some  way  a  muse  for  this  collection.  (cathy  horyn,  NYT)

Hermes

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shoes  and  accessories

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Sonia  Rykiel  -->

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Rue  du  Mail

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Miu  Miu  -->

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Chloe

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Nina  Ricci

Olivier  Theyskens  continued  in  his  Nina  Ricci  downbeat  mode.  Pants  dominated  the  day  clothes,  and  they  were  mostly  in  satin  and  fitted,  it  seemed,  to  look  soft  and  vaguely  twisted.  There  were  blurry  print  blouses,  the  odd  cascade  of  frills,  and  the  new  jacket  was  cut  small  with  a  rounded,  turned-back  hem.  The  palette  was  as  moody  as  it  was  distinctive,  awash  in  browns,  burnt  orange,  purple,  cream  and  gray.(NYT)


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